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William Shakespeare's Star Wars delights Canadian readers

Written By Unknown on Sabtu, 21 September 2013 | 22.20

American author Ian Doescher's Shakespearean twist on the blockbuster film Star Wars is inspiring Canadians to delve into and better understand the works of Britain's Bard of Avon.

William Shakespeare's Star Wars, which hit stores and book shelves in July, is a retelling in Iambic pentameter of George Lucas's epic Star Wars.

Libraries and school boards see the new book, which features Elizabethan illustrations, as a vehicle for encouraging children to read and better understand Shakespeare.

'I'm not trying to pretend I have his genius. Hopefully it's something that honours Shakespeare.'- Ian Doescher, author of William Shakespeare's Star Wars

Random House of Canada, which distributes the book here, says on its website: "The saga of a wise (Jedi) knight and an evil (Sith) lord, of a beautiful princess held captive and a young hero coming of age, Star Wars abounds with all the valor and villainy of Shakespeare's greatest plays." 

Dayna Cornwall, who has English and teaching degrees and works for the Windsor Public Library, called William Shakespeare's Star Wars a "great doorway into Shakespeare."

Shakespeare 'isn't easy'

William Shakespeare's Star Wars Cover

The Windsor Public Library says its three copies of William Shakespeare's Star Wars, the first book for American author Ian Doescher, are a popular vehicle for encouraging children to read and better understand the Bard of Avon. (Courtesy Quirk Books)

"I spent time trying to inspire students with the love of Romeo and Juliet. It isn't easy. They find the whole idea of Shakespeare pretty daunting, that's the impression we have as a culture," Cornwall said. "But we all know Star Wars so well; it's not a struggle to know what's going on. Shakespeare doesn't have to be all that tough."

"It's the sort of thing – and a hope for me – that gets high school and college students who are just approaching Shakespeare for the first time ... into Shakespeare," Doescher told CBC News.

Doescher said he got the idea for his book after a whirlwind month of movie-watching, book-reading and festival-going last year. He first watched the original Star Wars trilogy with friends, then read the mash-up book Pride and Prejudice and Zombies, and went to a Shakespeare Festival in Oregon.

"It was at the Oregon Shakespeare Festival I had the idea to write the book," Doescher said.

He wrote the first act and sent it to Lucas Films.

"They were the ones who came back to me and said, "'We like what you've done so far, but we'd like you to do more. Take it outside the bounds of the movie,'" Doescher recalled. "It was a great gift to me, as a writer."

'Sweating bullets'

Doescher, a Portland, Ore., father of two who has loved Star Wars and Shakespeare since childhood, added some soliloquies throughout his book.

"The parts that were hardest to write were the ones that I knew would be under scrutiny," Doescher said. "When you deal with some of the famous lines, how will they be heard and will people like what you've done with them, I was sweating bullets."

In his book, memorable lines, such Obi Wan Kenobi's pop culture classic, "these aren't the droids you're looking for," have been translated to, "True it is, that these are not the droids for which thou search'st."

Cornwall called the book "beautiful and intriguing."

"He's poetically expressing some of the feelings of the movie," she said.

After the book became available in July, the Windsor Public Library immediately ordered three hard copies and an eBook version. On Friday, all three hard copies were on hold.

"I saw it online some months ago and got really excited," Cornwall said. "I personally placed a hold on it when I saw it was in our system."

She finally read the book about a week ago.

"I devoured it," Cornwall said.

Cornwall said Shakespeare fans are "delighted by this kind of thing."

"They see it as a way in for people who don't know or like Shakespeare all that much," she said.

The Stratford Festival, one of the most respected and acclaimed classical theatres in North America, is aware of the rewrite, but had no comment.

"This is clearly not Shakespeare. This is a guy writing a book called William Shakespeare's Star Wars," Doescher said. "I'm not trying to pretend I have his genius. Hopefully it's something that honours Shakespeare."


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Disney and Jerry Bruckheimer to end film deal

The Walt Disney Co. and Jerry Bruckheimer, the producer behind the blockbuster Pirates of the Caribbean franchise and the summer flop The Lone Ranger, will end their long-running film deal next year, the media company announced on Thursday.

The company and Bruckheimer decided not to renew their current deal which gives Disney first-look rights to the producer's films, according to a statement from Disney. They will continue working together on various projects, including a fifth instalment in the Pirates of the Caribbean franchise.

Last week, Disney announced it would delay the release of the fifth Pirates movie, which had been scheduled to open in theatres in July 2015. No new date was set.

Disney's film studio will continue to focus on brands including Disney, Pixar animation, the Marvel superhero franchise, and Star Wars producer Lucasfilm, the company said on Thursday.

Bruckheimer "is looking to produce more mature films outside the scope of the Disney brand," the statement said.

The partnership dating back to the 1990s produced 27 movies, including several big hits for Disney. The four Pirates films starring Johnny Depp have generated more than $3.7 billion US in worldwide ticket sales, according to the website Box Office Mojo. Bruckheimer also produced for Disney the National Treasure series and dramas including Con Air and Pearl Harbor.

Bruckheimer's most recent Disney release, The Lone Ranger, flopped at the box office after its July release. Disney has projected it will lose up to $190 million on the film.

Walt Disney Studios Chairman Alan Horn said Disney and Bruckheimer "have had an incredibly successful collaboration over the past two decades."

"We will continue to work together in the future, and we look forward to seeing more of the films that have made Jerry Bruckheimer a Hollywood legend," Horn said.

Bruckheimer, in the statement issued by Disney, said he would work with the studio on the Pirates and National Treasure films plus "other projects we have developed together."

"I am very appreciative of the wonderful collaboration and support I have had at The Walt Disney Company for over 20 years," he said.


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Jay Baruchel wants U.S. films shot in Canada to be set in Canada

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TIFF: The Art of the Steal 8:17

TIFF: The Art of the Steal 8:17

Jay Baruchel has a Canadian flag tattooed on his heart — but sometimes it seems the Maple Leaf might as well be etched across the actor's lips.

His new hybrid heist flick The Art of the Steal is a cross-border caper set against the inimitable backdrop of Niagara Falls, Ont. And really, it's set there — not Niagara Falls dressed to look like some generically tourist-friendly town someplace vaguely in the U.S. — and on the Canadian side, no less.

It's an important point to the 31-year-old Montreal native.

"I'm just sick of watching Canadian movies with Canadian actors and Canadian backdrops and then they exchange money and it's American cash," said the excitable star during a promotional whisk through the Toronto International Film Festival, where the film premiered ahead of its cross-Canada opening on Friday.

This comment raises the attention of writer-director Jonathan Sobol, seated next to him.

'You're in Canada, you use Canadian money,' director says

Given that the film — which casts Kurt Russell as a reformed criminal-turned-motorcycle daredevil who's pried from that depressing gig by the promise of one more big score — explicitly needs to take place on both sides of the border, it makes sense that characters' wallets would be packed with more than just American greenbacks.

Still, it was apparently an issue.

"I didn't tell you this, but when we were onset one day and Kurt (in character) had to give his lady money —" Sobol begins.

"I bet there was a convo," Baruchel interjects.

"Well, I got pulled aside," replies Sobol, nodding. "I mean, like, of course, you're in Canada, you use Canadian money."

"Why the (hell) wouldn't you?" says Baruchel, in fact using a harsher profanity.

Sobel responds: "But then there was a little huddle. They're pulling me over. I'm like, no, what?"

Asked to explain the anxiety over Canadian currency appearing onscreen, an exasperated Baruchel takes over.

"They seem to think that the moment Americans see Canadian cash on the screen, no matter how long they've watched the movie already, they'll say: 'Aw, (screw) this then!"'

In this case, Baruchel and Sobol stuck to their guns — or, to use a more appropriate cliche, put their money where their mouths were.

The Art of the Steal stars Baruchel, Kurt Russell and Terrence Stamp

The film, which features a sparkling international cast including British Oscar nominee Terence Stamp, Americans Matt Dillon and Russell and Canadian supporting players including Katheryn Winnick, Chris Diamantopoulos and arch "Daily Show" vet Jason Jones, doesn't try to hide its setting, in fact basking in Niagara Falls' kaleidoscopic carnival. (They also shot in Hamilton).

At least one of those Americans in the cast was mystified by any anxiety over The Art of the Steal looking too Canadian.

"I don't think it has anything to do with anything," Russell bristled. "Movies, where they're shot, makes zero difference to the audience. What the audience is looking for is a show-me experience. Show me that this is entertaining."

Increasingly, it seems as though filmmakers are banking on exactly that.

At the recently completed Toronto film festival, several buzzed-about films anchored by major international stars were both shot and set in Canada, including Denis Villeneuve's Toronto-set, Jake Gyllenhaal-starring psychodrama Enemy, Don McKellar's uproarious The Grand Seduction, which cast Friday Night Lights heartthrob Taylor Kitsch as a doctor docked in a Newfoundland fishing village, and Michael Dowse's Daniel Radcliffe-headlined romantic comedy The F Word, which so lovingly filmed Toronto-specific idiosyncrasies, it couldn't have been mistaken for another city.

Still, Baruchel argues that rooting Canadian films in Canada is still a problem for some — including Canadians.

"I remember when The Trotsky came out," he says, referring to his 2009, Montreal-set comedy about an eccentric high-schooler leading a student rebellion.

"All the reviews were like: 'Ohh, some of the Montreal inside jokes will take some getting used to.' I was just like, what inside jokes? We reference the town we were shooting in.... We got a lot of flack. More in Canada than the States. Americans just watched it."

When Sobol says he optimistically hopes the tide is turning, Baruchel responds: "If you leave it alone and don't make it too much of an issue — if you don't oversell the Canadian-ness — you're OK, usually."

Baruchel plans sequel to Goon

In fact, Baruchel has long been critical of homegrown stars who turn their backs on homegrown fare.

It's a position that seems to mean more as the Goon star sees his profile — and opportunities — grow in Hollywood. Earlier this summer, he was among a twinkling cast heading up the raunchy Armageddon smash This is the End, and he has upcoming roles in other hotly anticipated properties including the 2014 Robocop reboot and two or more sequels in the animated How to Train Your Dragon series.

Still, he says he's determined to continue working on Canadian films, including his own sequel to Goon.

"I was in a movie that connected a lot with the Americans this summer, and that means that I can use that and make more (stuff) happen up here maybe," said Baruchel, who's still based in Montreal.

"I'm not chasing a brass ring anymore. I'm not trying to be a movie star. I'm so happy with the life that I have right now, and part of that is being up here. And I love movies. So it just comes down to I want to make movies at home. I prefer spending time here than any other country in the world, simple as that."

He continues: "David Cronenberg's my idol for a reason. He made the world come to Toronto. He became the Fellini of Toronto. The best talents in the world will come to you if you're doing stuff that's good."

And his advice to Canadian filmmakers fretting about setting films here?

"Turn the camera on, walk down the street," he said. "Where you're shooting, that's where it takes place. Simple as that."


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Renoir's artwork, personal items sell for $1.3M in auction

Nearly $1.3 million US worth of art and personal items belonging to the French artist Pierre-Auguste Renoir have sold at a New York City auction.

Heritage Auctions says 143 lots sold Thursday including Renoir's prized Large Venus Victorious, a life-size statue of the Roman goddess Venus elegantly holding a drape in one hand and an apple in the other. It sold for $545,000.

Heritage says personal items belonging to the Impressionist icon also sold, such as a polka-dot scarf for $3,750; spectacles for $6,250; and a cigarette holder for $1,563.

Les Bescasse (The Woodcocks), one of the last paintings done by Renoir before his 1919 death, sold for $125,000.

A bust of Renoir's youngest son Claude, Coco, didn't sell.

A Heritage spokesman says all buyers requested anonymity.


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The Art of the Steal inspired by '50s-era heist films

Written By Unknown on Jumat, 20 September 2013 | 22.19

Heavier-themed films dominated the discussion at the Toronto International Film Festival, but the lineup also featured lighter fare like local filmmaker Jonathan Sobol's throwback heist flick The Art of the Steal.

A star-studded outing that includes Kurt Russell, Matt Dillon and Terence Stamp along with Canadians Jay Baruchel, Jason Jones and Katheryn Winnick, the film is a bit of a throwback, says Toronto-based director Sobol, who was inspired by heist movies of the 1950s.

"I like the blue collar guys doing tactile things. In the past 20 years, when you see a heist film, it's like some computer programmer will hack into the mainframe," he told CBC News on Wednesday ahead of the film's evening gala premiere.

"I kind of like the nuts and bolts thing."

Russell stars as a fading stunt motorcycle driver and former master thief who is trying to escape his past when he is lured into a fresh caper involving his brother (played by Dillon). Baruchel appears as Russell's fast-talking sidekick.

In the attached video, Sobol and Baruchel (a rising producer and screenwriter as well as actor) talk to Eli Glasner about tweaking conventions of the heist film genre, what films inspired The Art of the Steal and working with cinematic heroes like Russell.


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Sting's musical The Last Ship heading to Broadway

The Last Ship, the stage musical by Grammy-winning musician Sting, is Broadway-bound.

Producers announced today that the show is heading to Manhattan for fall 2014, following its premiere in Chicago in June.

The musical is based on Sting's own memories of growing up near Wallsend in northeast England and of the community's shipbuilding industry. The Last Ship centres on a man from Wallsend who returns home, after more than a decade of travelling the world, to find his seafaring town's future in jeopardy when its shipyard is threatened with closure.

Sting, whose real name is Gordon Sumner, has been working on the stage musical for the past few years alongside noted playwright Brian Yorkey and screenwriter-playwright John Logan.

The production is directed by Joe Mantello (Wicked) and features choreography by Steven Hoggett (Once). Details about dates, venue and casting have yet to be released.

The award-winning performer and former frontman for The Police has also recorded a new album titled The Last Ship, which was inspired by the musical and features performances by folk musicians of the area.

Set for release on Tuesday, the record marks his first full-length album of material in 10 years.

Sting is also slated to perform songs from the album and the musical during an upcoming concert series at The Public Theater in New York from Sept. 25 through Oct. 9.


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Carole King named Grammy MusiCares person of the year

Carole King is getting a special honour, with Grammy Award organizers naming the American singer its MusiCares person of the year for 2014.

The U.S. Recording Academy announced her selection today, adding that the bestselling singer-songwriter will be honoured by performers such as James Taylor, Lady Gaga, Jason Mraz, the Dixie Chicks and Bette Midler.

Further tribute participants will be announced at a later date.

MusiCares is the academy's charitable foundation and its annual fundraiser is typically held in the days running up to each year's Grammy Awards gala.

King is being recognized for her career and philanthropic work. She will be feted at a ceremony in Los Angeles on Jan. 24. The 2014 Grammy Awards gala takes place on Jan. 26.

She is known for writing and performing scores of hit songs — including Will You Love Me Tomorrow, You've Got a Friend, Natural Woman, I Feel the Earth Move and You've Got a Friend — and her compositions have been covered by more than 1,000 artists, from the Beatles to Barbra Streisand to Mary J. Blige.

A four-time Grammy winner and the first female artist ever to win all the top Grammy trophies (record, song and album of the year as well as best pop vocal performance for 1971's Tapestry), King received a lifetime achievement award as part of the 2013 festivities in February.

U.S. President Barack Obama awarded her the Gershwin Prize for popular song in May and King is also a member of both the Songwriters and Rock and Roll Halls of Fame.


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William Shakespeare's Star Wars delights Canadian readers

American author Ian Doescher's Shakespearean twist on the blockbuster film Star Wars is inspiring Canadians to delve into and better understand the works of Britain's Bard of Avon.

William Shakespeare's Star Wars, which hit stores and book shelves in July, is a retelling in Iambic pentameter of George Lucas's epic Star Wars.

Libraries and school boards see the new book, which features Elizabethan illustrations, as a vehicle for encouraging children to read and better understand Shakespeare.

Random House of Canada, which distributes the book here, says on its website: "The saga of a wise (Jedi) knight and an evil (Sith) lord, of a beautiful princess held captive and a young hero coming of age, Star Wars abounds with all the valor and villainy of Shakespeare's greatest plays." 

Dayna Cornwall, who has English and teaching degrees and works for the Windsor Public Library, called William Shakespeare's Star Wars a "great doorway into Shakespeare."

William Shakespeare's Star Wars Cover

The Windsor Public Library says its three copies of William Shakespeare's Star Wars, the first book for American author Ian Doescher, are a popular vehicle for encouraging children to read and better understand the Bard of Avon. (Courtesy Quirk Books)

"I spent time trying to inspire students with the love of Romeo and Juliet. It isn't easy. They find the whole idea of Shakespeare pretty daunting, that's the impression we have as a culture," Cornwall said. "But we all know Star Wars so well; it's not a struggle to know what's going on. Shakespeare doesn't have to be all that tough."

Memorable lines, such Obi Wan Kenobi's pop culture classic, "these aren't the droids you're looking for," have been translated to, "True it is, that these are not the droids for which thou search'st."

Doescher, a Portland, Ore., father of two who has loved Shakespeare since childhood, has added some soliloquies throughout his first book.

Cornwall called it "beautiful and intriguing."

"He's poetically expressing some of the feelings of the movie," she said.

Emails to Doescher and publishing company Quirk Books weren't immediately returned. But according to the Stratford Observer in the U.K., the author also wants to inspire a younger Shakespeare audience.

"Shakespeare has a reputation for being rather elite. I think young people see unfamiliar words like fardels and codpiece and assume they won't be able to do it," he told the newspaper. "I hope my book might be a gateway into Shakespeare. They already know the storyline so they won't have trouble following what's happening."

After the book became available in July, the Windsor Public Library immediately ordered three hard copies and an eBook version. On Friday, all three hard copies were on hold.

"I saw it online some months ago and got really excited," Cornwall said. "I personally placed a hold on it when I saw it was in our system."

She finally read the book about a week ago.

"I devoured it," Cornwall said.

Cornwall said Shakespeare fans are "delighted by this kind of thing."

"They see it as a way in for people who don't know or like Shakespeare all that much," she said.

The Stratford Festival, one of the most respected and acclaimed classical theatres in North America, is aware of the rewrite, but had no comment.


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Man Booker Prize opens eligibility to writers worldwide

Written By Unknown on Kamis, 19 September 2013 | 22.20

The Man Booker Prize, one of the world's most prestigious literary honours, is widening the field to allow more authors to compete for the venerable award.

Organizers announced today that the prize will extend its eligibility to include novels originally written in English and published in the U.K., regardless of the author's nationality. The change will come into effect for the 2014 edition.

"The expanded prize will recognize, celebrate and embrace authors writing in English, whether from Chicago, Sheffield or Shanghai," organizers said.

To date, the £50,000 (nearly $82,000 Cdn) prize has been open to British, Irish or Commonwealth authors (whose works are submitted by their U.K. publisher).

"The trustees [of the Booker Prize Foundation] have not made this decision quickly or lightly. It was made after extensive investigation and evaluation," foundation chair Jonathan Taylor said in a statement.

Hilary Mantel, 2012 Man Booker Prize

British author Hilary Mantel poses in London after winning the 2012 Man Booker literary prize for her novel Bring Up The Bodies in October 2012. The Man Booker Prize, one of the highest profile awards in English-language literature, is widening its eligibility to authors from around the globe. (Justin Tallis/AFP/Getty Images)

"Initially the thinking was that we might set up a new prize specifically for U.S. writers. But at the end of the process we were wary of jeopardizing or diluting the existing Man Booker Prize. Instead we agreed that the prize, which for 45 years has been the touchstone for literary fiction written in English of the highest quality, could enhance its prestige and reputation through expansion, rather than by setting up a separate prize."

Two Canadians are among the six finalists for the 2013 Man Booker Prize: American-born Canadian Ruth Ozeki for A Tale for the Time Being and Canadian-born New Zealander Eleanor Catton for The Luminaries. The winner will be announced Oct. 15 in London.

For days, rumours circled that Booker organizers were changing their rules to allow American authors into the fold, with vociferous debate both for and against the notion.

Those against blasted it, saying that the change would diminish the prize's distinctiveness. Supporters, however, argued that being more inclusive was a positive for the prize.

Incidentally, organizers also created a biennial honour — the £60,000 ($98,000) Man Booker International Prize — nearly a decade ago to celebrate a living fiction writer (who publishes in English) for his or her body of work.

Many commentators have noted that the Booker's worldwide expansion announcement comes months after the creation of a rival English-language fiction prize designed to celebrate writers from around the globe.

Announced in March, the fledgling, £40,000 Folio Prize (about $65,000 Cdn) is open to all nationalities and will present its inaugural award in 2014. The academy behind the Folio Prize includes acclaimed authors and critics such as Margaret Atwood, J.M. Coetzee, Michael Chabon, Nam Le, Phillip Pullman and Salman Rushdie.  

"Our intention was to fill a perceived gap, rather than to imply that others should adopt our model. The Man Booker's impressive reach, not least in the United States, seemed in part to be built upon its clear and distinctive parameters, so we are in some ways surprised by this decision," Folio Prize founder Andrew Kidd said in a statement on Wednesday.

"Still, it's important always to be open to change, and we welcome the fact that Man Booker has joined the Folio Prize in disregarding borders."


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