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Student Cindy Tang's Sea Telescope wins Doodle 4 Google Canada

Written By Unknown on Selasa, 25 Februari 2014 | 22.19

Toronto-area student Cindy Tang's brilliantly coloured image of a telescope able to peer into the far depths of the sea has won the latest edition of the Doodle 4 Google Canada contest.

Tang, a student at Dr. Norman Bethune Collegiate Institute in Scarborough, Ont., was unveiled today as the national winner of the contest, held in Canada for the first time, during a ceremony at Toronto's Royal Ontario Museum (ROM).

Cindy Tang

Cindy Tang, at centre in a black jacket, accepted the prize at the Royal Ontario Museum in Toronto on Tuesday morning. (Deana Sumanac/CBC)

Her prize includes a $10,000 scholarship and a $10,000 grant for her school. Her drawing, entitled Sea Telescope, will be featured as the "Google Doodle" on the Google.ca homepage on Wednesday and also be part of a special exhibit at the ROM next month.

A popular customization for the Google browser's homepage, a Google Doodle adapts the tech giant's logo to mark special dates, holidays, anniversaries, events or the lives of significant figures.

Organizers kicked off the competition last fall by asking students in kindergarten through Grade 12 to submit an image to fulfil the statement: "If I could invent anything, I would invent..."

Tang's drawing Sea Telescope answers: "I would invent a telescpe that would show us the depth of the sea (all of it). I've heard we've discovered less than five per cent of the ocean [with] 95 per cent still left unseen by human eyes."

Tang, the finalist for the Ontario region, was also joined by four remaining national finalists:

  • Prairies: Xusheng (Sam) Yu of St. Francis Xavier Community School for Electric Trees.
  • Atlantic Canada: David Isaiah Jeans of Yarmouth Consolidated Memorial High School for Age Reversing Machine.
  • Quebec: Meriam Akkou of École Secondaire La Camaradière for Underwater City.
  • British Columbia and the North: Maria Angela Viaje of Johnston Heights Secondary for Virtual Reality Simulator.

Submissions were accepted until Dec. 31, after which a judging committee narrowed the list down to 75 regional finalists. Then, a celebrity judging panel chose the 25 finalists. The group was comprised of retired astronaut Chris Hadfield, actress Karine Vanasse, Royal Ontario Museum CEO Janet Carding and Google Science Fair winner Ann Makosinski.

The public also got to cast votes for their favourite of the 25 finalists.


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Actor and filmmaker Harold Ramis dies at age 69

Actor, writer and filmmaker Harold Ramis, the Ghostbusters star whose comedy credits include Groundhog Day and the National Lampoon films, has died at age 69.

Ramis died early Monday morning at his Chicago-area home, surrounded by family and friends, according to a statement from his Los Angeles representatives, United Talent Agency.

Ramis died of complications from autoimmune inflammatory vasculitis, a condition that affects blood vessels he had battled for the past four years.

  • National Lampoon's Animal House.
  • Meatballs.
  • Stripes.
  • Ghostbusters (I and II).
  • National Lampoon's Vacation.
  • Caddyshack (I and II).
  • Groundhog Day.
  • As Good as It Gets.
  • Stuart Saves His Family.
  • Multiplicity.
  • Knocked Up.
  • Walk Hard: The Dewey Cox Story.
  • Analyze This (and its sequel Analyze That).
  • Bedazzled.
  • Year One.

Chicago-born Ramis started his comedy career in 1969 in his hometown's influential Second City improv comedy theatre, where he would encounter his friends and regular collaborators such as John Belushi, Bill Murray and Dan Aykroyd.

"[I'm] deeply saddened to hear of the passing of my brilliant, gifted, funny friend," Aykroyd said in a statement on Monday.

"May he now get the answers he was always seeking."

When the troupe launched its landmark television series SCTV in the late 1970s, Ramis was its first head writer, as well as one of the cast members.

Shortly afterward, the former Playboy magazine jokes editor broke through in Hollywood with the blockbuster comedy National Lampoon's Animal House, starring Belushi, and became known for some of the most popular comedy films of the 1980s.

Throughout his career, he would mix screenwriting, directing, producing and acting roles. His best-loved titles include his role in the Ghostbusters films — in which he portrayed the straight-laced Dr. Egon Spengler and co-wrote with Aykroyd — and directing the comedy classic Groundhog Day, starring Murray.

He often teamed with his former Second City colleagues for wild and silly films, including Stripes, Caddyshack, Meatballs and National Lampoon's Vacation.

"He was a very generous, smart guy. He was always the quietest person and the loudest person in the room. His volume didn't come from his voice. It came from his intelligence," Canadian filmmaker Ivan Reitman, who directed Ghostbusters and Meatballs, told CBC's As It Happens.

"You had to pay attention because he was always going to say something really clever that made whatever we were working on better. 

"I loved the guy. I always felt he was the one I could speak to, that I could be the closest with, and there must have been hundreds of others who felt the same way. It's why I felt like he was the brother I never had. He was like the more funny version of me. I learned a lot from him."

In recent years, Ramis's work included directing episodes of The Office, the film Year One and cameo roles in movies by filmmakers he'd influenced (including Judd Apatow's Knocked Up). He was also touted as a caring mentor in the industry and a key inspiration to a younger generation of comedy filmmakers, including Adam Sandler, Jay Roach, Jake Kasdan and Peter and Bobby Farrelly.

Second City founder Bernie Sahlins once said that, from the start, he knew Ramis "would be an important factor in American comedy.

"He has all the skills and abilities to be funny and to write funny, but he also is a leader, a very nice guy. He was always looked up to, in Second City to being head writer at SCTV. He was never separate from anybody. He was always one of the boys, but he was the best boy," Sahlins told the Chicago Tribune in a 1999 interview. Sahlins, who had worked with Ramis since 1969, died in 2013.

Ramis is survived by his wife, Erica Mann Ramis, his children Julian, Daniel and Violet and two grandchildren.

SCTV REUNION

Former SCTV cast members reunited at the U.S. Comedy Arts Festival in Aspen in 1999, including (front row, from left) Dave Thomas, Catherine O'Hara, Andrea Martin, Eugene Levy, Martin Short, (back row, from left) Joe Flaherty and Harold Ramis. (E Pablo Kosmicki/Associated Press)


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Rock duo Tegan and Sara to pick Fulbright grant recipients

The U.S. State Department announced Monday that Canadian rock duo Tegan and Sara will sit on a panel of experts selecting recipients for a Fulbright Fellowship that focuses on research in musical culture.

The 2014-15 Fulbright-mtvU Fellowship is an annual grant allowing recipients to conduct one academic year of research to explore music as a common language that transcends borders and cultures through projects of their own design.

After academic leaders, area experts, Fulbright commissions and U.S. embassies overseas review the applications, the Blue Ribbon Panel will then nominate top candidates and forward them to a Fulbright Foreign Scholarship Board for final selection. Applications will be accepted through Feb. 28.

In addition to the indie rock sister duo from Calgary, other panel members include Scottish synthpop band Chvrches and Dutch DJ Hardwell. 

The U.S. government's Fulbright Program is an international educational exchange program, supported by the U.S. and partner countries around the world.

The network mtvU is broadcast to nearly 750 university campuses as well as via top cable distributors in 700 communities across the U.S. It reaches more than eight million students and is the largest television network targeted solely to university students.

Finding a niche in academia, Tegan and Sara recently announced that they will be part of a group of musicians teaching an online course at Stanford University, focused on music as a tool for unlocking creative potential. 

The sister duo also collaborated on a song featured on the soundtrack for The Lego Movie, a current box office hit. The song Everything Is Awesome debuted at No. 11 on the Billboard Dance/Electronic Songs chart.


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Nunavut hamlet offers Inuktitut version of Cree kids’ film

It was the first time the kids heard the familiar characters of Wapos Bay speaking their language.

Wapos Bay Long Goodbyes

Long Goodbyes, based on the popular children's show Wapos Bay, is set in a fictional Cree community in northern Saskatchewan.

​Elementary school children in Iqaluit packed the Astro Theatre yesterday to see the Inuktitut version of the film based on the Wapos Bay series.  

Wapos Bay is a stop motion animation series set in a fictional Cree community in northern Saskatchewan. It airs on APTN across the country and has featured the voices of Gordon Tootoosis and Lorne Cardinal.

Piksuk Media and the Ilisaqsivik Society in Clyde River, Nunavut (pop. 983) teamed up to produce an Inuktitut version of the feature film, called Long Goodbyes, and the effort was met with rave reviews.

"My favourite part of the movie was, um...I liked all of the movie," said one young filmgoer.

Jacob Gearheard

'The first reason that we got excited about it was that this project was promoting the Inuit language,' said Jakob Gearheard of the Ilisaqsivik Society. (CBC)

Inuktitut is still the main language in most of Nunavut, but there are concerns, especially in the larger communities, that young people aren't using the language as much as their elders.

"I think the first reason that we got excited about it was that this project was promoting the Inuit language, promoting Inuktitut and getting more Inuktitut onto the television so that children can listen to Inuktitut and learn Inuktitut," said Jakob Gearheard, executive director of Ilisaqsivik, a wellness centre that drives many projects in and around Clyde River.

The project also created new jobs in a place where they are few and far between.

"It was an opportunity to learn some new skills and get involved with recording and versioning," Gearheard said, "and also a chance for some of the people in Clyde River to earn some money and learn a new skill in being actors."

Daniel Jaypoody

'We had to do many takes in order to finalize it,' said Clyde River voice actor Daniel Jaypoody. (CBC)

Daniel Jaypoody was one of the actors whose voice is heard in the Inuktitut version.

"They had a good crew in putting this program together," Jaypoody said. "They made it very easy for us, but we had to do many takes in order to finalize it."

Michelle Illauq was another voice actor from Clyde River. She's hoping the effort will encourage students to speak and learn Inuktitut.

"More young people need to practice our language," she said.

Along with the film, 14 episodes of the series have also been versioned in Inuktitut.


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FILM REVIEW: Labor Day

Written By Unknown on Sabtu, 01 Februari 2014 | 22.19

Video

CBC News Posted: Jan 31, 2014 9:43 AM ET Last Updated: Jan 31, 2014 9:45 AM ET

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Jason Reitman on Labor Day 5:23

Jason Reitman on Labor Day 5:23

Filmmaker Jason Reitman drops the sharp and abrasive feel of earlier films such as Juno and Thank You for Smoking in his latest movie, Labor Day.

Based on the coming of age novel by Joyce Maynard and shot in a nostalgic, summertime haze, the drama featuring Kate Winslet, Josh Brolin and young actor Gattlin Griffith turns into The Notebook for adults, says CBC film reviewer Eli Glasner.

Not unlike the peach pies Brolin's escaped convict character makes in the film, Labor Day feels a little rich, crusty on the outside and surprisingly mushy in the middle.

In the attached videos, watch Glasner's review of Labor Day and his chat with Reitman about the film.

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Oh, Canada contemporary art show sets Canadian dates

MASS MoCA's landmark Oh, Canada — the major American exhibition that celebrated the vast and vibrant Canadian contemporary art scene — is coming north of the border.

The acclaimed exhibition will show across multiple venues in Atlantic Canada for three months, beginning June 27.

It will then move to Calgary and open in multiple galleries as of Jan. 31, 2015.

"We're thrilled that in many cases, the show is allowing these galleries to collaborate for the first time, as so many people wanted to come together to celebrate these artists," said Denise Markonish, the ambitious curator behind the show.

Over a three-year span, Markonish — a curator for the North Adams, Mass. arts and cultural centre MASS MoCA — made more than 400 studio visits to artists in nearly every Canadian province or territory to assemble the extensive show.

Her goal was to offer a fresh glimpse into Canada's exciting contemporary art scene and to shine a light on working artists who might be less recognized abroad.

In North Adams, the show ran from May 2012 through April 1, 2013 and featured new works by more than five dozen Canadians, including Michael Snow, Kent Monkman, Annie Pootoogook, Rebecca Belmore, BGL, Shary Boyle, Graeme Patterson, Marcel Dzama and Kim Adams.

When it opens in Atlantic Canada, Oh Canada will span two provinces, with art to be on display at:

  • The Confederation Centre Art Gallery in Charlottetown
  • The Owens Art Gallery in Sackville, NB
  • The Louise and Reuben Cohen Art Gallery at the University of Moncton
  • The Galerie Sans Nom in Moncton.

In Calgary, the show will spread out throughout the city, including:

  • The Glenbow
  • The Esker Foundation
  • The Illingworth Kerr Gallery at ACAD
  • The Nickel Galleries at the University of Calgary

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Modern Monuments Men continue search for Nazi-looted art

Video

CBC News Posted: Jan 31, 2014 10:46 PM ET Last Updated: Jan 31, 2014 10:52 PM ET

The star-studded upcoming film The Monuments Men turns Hollywood's focus onto the surprising world of Nazi-looted art, but even today, Canadian experts continue to track down these valuable artistic treasures to return them to their rightful owners.

Based on the book by Robert Edsel, The Monuments Men features George Clooney, Matt Damon, Cate Blanchett and other top stars in its account of the Museum, Monuments and Fine Arts and Archives (MMFAA) section of the Allied army. This group of art historians and curators followed troops into battle in Europe in order to protect important monuments and cultural objects. Its members were also tasked with recovering and returning looted art pieces.

Decades later, this restitution fight continues, including in Canada.

The Max Stern Art Restitution Project, for instance, is an initiative working to recover the more than 400 artworks the Nazis seized or forced influential Jewish art dealer Max Stern to sell during the Second World War. So far, the team has recovered 11 works.

In the attached video, Deana Sumanac reports on Canada's modern-day experts who continue the search for artistic masterpieces stolen by the Nazis.

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5 unforgettable Super Bowl halftime shows

Some would call the Super Bowl halftime show one of the most difficult musical gigs ever, even for a performer at the top of his or her game.

There are so many tricky factors to consider. For starters, you've got wildly ambitious artistic egos who plan eye-popping, stadium-sized and full concert-style shows. Then, you have the intense pressure of pleasing the massive and diverse audiences at the stadium and at home.

Add in mind-boggling logistics and high potential for serious technical issues, given that the ground crew has mere minutes to set up (and later tear down) the stage and set, all without damaging the field of play.

Still, successful past acts can attest to the incredible rewards of delivering a blockbuster Super Bowl performance: a reinvigorated reputation for music veterans, sold-out followup concerts for touring acts and general love from the football-watching public.

As recent Grammy-winner Bruno Mars — and his invited guests the Red Hot Chili Peppers — prep for their stint in the spotlight this weekend, we take a look at some of the most memorable Super Bowl halftime shows ever.


2004: Janet Jackson & Justin Timberlake
(New England Patriots vs. Carolina Panthers)


(Mobile users can watch here)

Where else could we start but with the most memorable halftime show of the modern era? This 2004 MTV-produced set (does anyone remember that Jessica Simpson, P. Diddy, Nelly and Kid Rock also performed?) will live forever in infamy thanks to Janet Jackson's "wardrobe malfunction" when Justin Timberlake intentionally tore away part of her costume and exposed her right breast as he sang the words "I'm gonna have you naked by the end of this song" from his hit Rock Your Body.

Jackson noted afterward that her red lace bra was supposed to remain intact during the risqué reveal. Despite the explanation and her apology, the damage was done.

Along with introducing millions to a sensual body decoration (nipple shields), the incident dubbed Nipplegate led to a protracted, years-long legal battle over the U.S. broadcast regulator's levying of large fines against CBS. The NFL vowed never again to hire MTV and many networks instituted a five-second delay for live performances. The fiasco also resulted in a blacklisting of Jackson's music across some U.S. radio networks — a strike on her career that persisted for years — while "Teflon Timberlake" emerged relatively unscathed.


1993: Michael Jackson
(Dallas Cowboys vs. Buffalo Bills)


(Mobile users can watch here)

It was another Jackson, the late King of Pop, who — at the height of his career — delivered a watershed Super Bowl halftime show that ushered in the larger-than-life extravaganzas we know and expect today.

Seemingly zipping from one end of the Rose Bowl to another (courtesy of video effects, smoke and a few talented impersonators), Michael Jackson ultimately made his dramatic debut at midfield: standing motionless for well over a minute as masses of screaming fans welcomed him.

The crisp and passionate performance that followed ran through a medley of his hits — including Jam, Billie Jean, Black or White, We Are The World and Heal the World — and also included the unspooling of children's drawings by the stadium audience, a gigantic inflatable globe and the arrival of thousands of children joining Jackson onstage. It was a legendary gig that demonstrated just how commanding a performer he was.


2002: U2
(New England Patriots vs. St. Louis Rams)


(Mobile users can watch here)

Coming just months after the Sept. 11 attacks, the 2002 Super Bowl required a halftime act that could tread a delicate line in providing massive spectacle in an uplifting yet still respectful manner. Led by showy frontman Bono, activist rockers U2 turned out to be a perfect choice.

With a set list that included Beautiful Day, MLK and Where The Streets Have No Name, the Irish lads offered an invigorating performance that leaned on their stadium tour experience but also provided a moving tribute to the Sept. 11 victims, whose names scrolled up a large screen stretched out behind the band.


2009: Bruce Springsteen and the E Street Band
(Pittsburgh Steelers vs. Arizona Cardinals)


(Mobile users can watch here)

There's a reason Bruce Springsteen continues to hover atop those annual "best live act" lists to this day. Simply put, the Boss knows how to rock a crowd, from New Jersey to Helsinki.

Springsteen showcased his famed magnetism and proudly shared the spotlight with his crackerjack E Street Band during their high-energy 2009 Super Bowl halftime performance. And when the Boss commands you "step away from the guacamole dip, put the chicken fingers down and turn your television all the way up," you just do it.

Springsteen and the E Street Band joyfully ripped through Tenth Avenue Freeze-Out, Born to Run, Working on a Dream and Glory Days, offering a taste of the incredible musicianship and charismatic connection with stage-side fans you'd see at one of their concerts. And that power knee slide into an onstage camera? That was just pure rock 'n' roll.


2007: Prince
(Indianapolis Colts vs. Chicago Bears)


(Mobile users can watch here)

A catalog of hit songs can provide a major boost for a halftime performer, but Prince didn't just rely on his own admittedly fabulous tracks during his 2007 Super Bowl set.

Sure, the Funky One tore up the stage with favourites like Let's Go Crazy, 1999 and an epic rendition of Purple Rain, but it was his unexpected, high-octane covers — a popular and anticipated highlight of his concerts — that sent music-lovers into a frenzy.

With ferocious guitar solos and his adept integration of We Will Rock You, Proud Mary, All Along the Watchtower and Best of You (by the Foo Fighters) into a jam-packed medley, Prince served up a truly amazing performance that many tout as the best Super Bowl halftime show ever.


We would be remiss if we didn't extend honourable mentions to these artists, who also turned in notable Super Bowl efforts: Paul McCartney, Beyoncé, the Rolling Stones and Madonna.


As a bonus, here are three Super Bowl halftime duds that will have you wondering: "What were they thinking?"

1988: Elvis Presto
(San Francisco 49ers vs. Cincinnati Bengals)


(Mobile users can watch here)

Random, bizarre, and incredibly awkward, the 1988 Super Bowl halftime entertainment featured an Elvis impersonator/magician named Elvis Presto leading an arena-sized card trick set to strange music.


1995: Patti LaBelle and Tony Bennett
(San Francisco 49ers vs. San Diego Chargers)


(Mobile users can watch here)

Sponsored performances should only go so far. As proof: the 1995 Super Bowl halftime show promotion of Disneyland's new Indiana Jones theme park ride. Featuring a Harrison Ford lookalike in a ridiculous skit where he chases a football trophy, this horrible idea was made even worse by wasting the incredible musical talents of Patti LaBelle and Tony Bennett.


1991: New Kids on the Block
(New York Giants vs. Buffalo Bills)


(Mobile users can watch here)

You can't really blame New Kids on the Block — the boy band was on top of the world when it was enlisted as Super Bowl entertainment. But because the U.S. was embroiled in the 1991 Persian Gulf War, halftime show producer Disney had the bright idea to mash up the bubbly group's performance with It's a Small World and a tribute to America's armed forces.

Perhaps it was a blessing then that host broadcaster ABC switched to news coverage of Operation Desert Storm during halftime and the New Kids' Super Bowl gig was relegated to the Disney Channel as they performed live (and completely after the game itself on the main network).


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Fire up the DeLorean: Back to the Future musical planned

Written By Unknown on Jumat, 31 Januari 2014 | 22.20

Director Robert Zemeckis is literally going back into the past for his next project — a stage musical of Back to the Future.

Producers said Thursday night that a show adapted from the sci-fi comedy franchise starring Michael J. Fox will open in London's West End in 2015, the 30th anniversary of the film. A Broadway run is a possibility if the new musical flies as well as the film's specially equipped DeLorean.

The new musical will have a book by Zemeckis, Bob Gale and Jamie Lloyd, and new music and lyrics by composer Alan Silvestri and songwriter and record producer Glen Ballard. Lloyd also will direct.

'The production will include illusions, skateboarding and many other surprises that will capture the spirit of the film but freshly interpret it for a new audience'- Jamie Lloyd, co-writer

"The production will include illusions, skateboarding and many other surprises that will capture the spirit of the film but freshly interpret it for a new audience," Lloyd said in a statement Friday.

In the 1985 film, Marty McFly becomes a human guinea pig who travels back to his hometown in 1955. Once there, he gets caught up in the soap opera lives of his own teenage parents, including his mom who develops a crush on her future son.

The film was written by Zemeckis and Gale and had plenty of music, including the Huey Lewis and the News theme tune The Power of Love and Marty McFly's futuristic rendition of Johnny B. Goode.

The film, which co-starred Christopher Lloyd, Crispin Glover and Lea Thompson, was so successful that it spawned two more sequels, Back to the Future Part II in 1989 and Back to the Future Part III in 1990.

The new musical will join such recent Gen X screen-to-stage remakes as Ghost, Little Shop of Horrors, Flashdance, Dirty Dancing, Big, Legally Blonde, The Wedding Singer, Dirty Rotten Scoundrels and Elf.

Oscar-winner Zemeckis has directed all Back to the Future films, as well as Who Framed Roger Rabbit, Forrest Gump, The Polar Express and Flight.

Silvestri has scored many of Zemeckis' films, including Romancing the Stone, Forrest Gump and Cast Away. Ballard, a six-time Grammy Award winner, co-wrote and produced Jagged Little Pill for Alanis Morissette and co-wrote the music for the stage musical adaptation of Ghost.

Lloyd's credits include Cyrano de Bergerac on Broadway, The Duchess of Malfi at the Old Vic and She Stoops to Conquer at the National Theatre. Gale, a frequent Zemeckis collaborator, has also written comic books, including issues of Batman.

Set and costume designs will be by Soutra Gilmour, illusions by Paul Kieve, lighting design by Jon Clark, and musical supervision by Alan Williams. Andrew Willis will be skateboard consultant.

The producers of the "Back to the Future" musical will include Steven Spielberg's Amblin Entertainment, Colin Ingram, Universal Stage Productions, Donovan Mannato and CJ E&M.


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How Justin Bieber can turn a fall from grace into a rise to the top

It's already shaping up to be a bad year for Justin Bieber — just one month into 2014, and the Canadian pop star has already been arrested twice, in two different countries, and now faces charges for driving under the influence, speeding and assault.  

But some experts say the 19-year-old's apparent fall from grace could actually turn into a rise to the top — as long as he plays his cards right.

Mark Sherwin, president of Toronto-based crisis management firm CorpWorld, says that celebrities behaving badly is nothing new.

"We've seen mug shots for years," he says. "They're certainly usually not very flattering and they come back and haunt that person, it seems, for years and years and years."

While Sherwin says he doesn't believe most celebrities would intentionally go out and break the law just for the attention, he says that once they find themselves in a bad situation, there are ways to make the best of it — and maybe even come out stronger.

"After the fact — once you have been charged with something, once there's been an incident — I think the best way to use or leverage that exposure is to become very public about it," he says, adding that showing remorse is key.

Film Robert Downey Jr

Actor Robert Downey Jr. was open about his struggles with alcohol and his time in prison, and eventually went on to become one of Hollywood's biggest and most-liked stars. (Joel Ryan/Invision/Associated Press)

​"Be contrite, have some contrition, and say, 'You know what? I've kind of messed up here. I've goofed and I'm going to turn it around,'" Sherwin says. "People might really respect that."  

Robert Downey Jr. is one notable example of a celebrity who managed to turn his life around and boost his image in the process. After years of arrests, several stints in rehab and even a year in a California state prison on drug charges, the Iron Man actor eventually made a career comeback, even topping the Forbes list of highest-paid actors last year.

Throughout the journey, he was candid with the public and the press about his struggles.

"Years ago, he had drug problems and serious problems, but he seems to have really turned things around," says Sherwin. "He was very public with that … going into rehab."

Building a bad boy brand

Some cynics, however, speculate that Bieber's eyebrow-raising behaviour over the past year, along with his most recent brushes with the law, are all part of an attempt to shed his squeaky clean pop star image and slip into the role of the dangerous bad boy.

Some have also pointed out that Bieber's once-dominant career may be on the downswing. His latest album, Journals, failed to crack the U.S. Billboard music charts, and his recent documentary film, Believe, only earned $6 million at the box office — far below the $73 million his first film, Never Say Never, took in.

After turning himself in at a Toronto police station Wednesday night for assault charges, a video appeared on his Instagram account promoting his latest music video. 

'If you want to make yourself seem older and more dangerous, you don't get caught for crimes that 10-year-olds do, like egging a house.'- Bob Thompson, director of the Bleier Center for Television and Popular Culture

But if all this is in fact a marketing ploy, some experts say he and his team are going about it all wrong.

"If that's what they're doing on purpose, they're doing a bad job of it," Bob Thompson, director of the Bleier Center for Television and Popular Culture at Syracuse University, said in an interview with CBC News Network.

"If you want to make yourself seem older and more dangerous, you don't get caught for crimes that 10-year-olds do, like egging a house," he said.

But just like Miley Cyrus, who infamously shed her child star persona with a raunchy awards show performance, Bieber will also have to find a way to transition into adulthood, Thompson says.

"I can understand how at some point, Justin Bieber, as he grows up, will have to change his image," Thompson said. "And we're going to have to see how Bieber does it. Will he make music like Justin Timberlake does that shows his aging persona? Who knows."

He says the next three to six months are key in determining the future of Bieber's career and his best bet is to lay low, stay out of the news and regroup — which, Thompson admits, could be a bit of a challenge for the high-profile star.

"If Justin Bieber's manager sent him to his room for two months, there would be photographers outside his room taking pictures of him."

Mythology of Justin Bieber and Rob Ford

The Grid's online editor Stuart Berman, on the other hand, thinks a rebranding is in order. "If anyone could use a bad boy makeover, it's the Biebs," he says.

Despite the scrutiny and overwhelming media attention of his recent scrapes with the law, Berman thinks Bieber's antics won't do any harm to his career in the long run.

"Unfortunately, as we've seen with the likes of R. Kelly and Chris Brown, it doesn't seem to matter what you do in the eyes of the law," Berman says. "There will always be a vocal contingent of fans that will have your back, where morality doesn't really play into their fandom."

ford bieber

The Grid's online editor Stuart Berman says Rob Ford and Justin Bieber's bad behaviour might actually work to build a following around them. (Canadian Press/Getty Images)

​Just after Bieber's arrest for speeding and DUI in Miami last week, the pop star's legion of fans, called Beliebers, took to the internet to voice their support. #FreeBieber quickly became a top-trending hashtag on Twitter, and a photo he posted on Instagram of his release from jail prompted thousands of messages of encouragement.

In fact, Berman says Bieber's behaviour may even win him a kind of cult following, much like Toronto Mayor Rob Ford, whose approval rating went up after police confirmed there was a video that allegedly shows him smoking crack cocaine.

"We see it with Rob Ford — the same kind of effect, where the more bad stuff you do, it kind of builds a mythology around you," Berman says. "People always like to root for the outlaw and the underdog."

Berman says that as long as Bieber keeps performing and producing music that his fans like, it won't matter if he gets into a bit of trouble every once in a while.

"If the behaviour really starts to overshadow the musical output and his ability to perform that's when I think people will lose their patience," Berman says. "But if he can maintain the loutish lifestyle and keep pumping out the hits, I think for the most parts the fans probably won't care."

Recalling Paul McCartney's 1980 arrest for marijuana possession and Britney Spears' public meltdown's in the mid-2000s, Berman thinks these kinds of antics can often turn out to be nothing more than blips in a career.

"It's kind of what people expect out of our celebrities," Berman says. "We want celebrities to live these fast-paced, glamorous, exciting lives and that involves getting arrested from time to time."


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